Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri

Azra Kardelen Nazlı; Şahin Yatkın

doi:10.54089/ecider.1976107

EN TR

The Causality of Alienation: Attribution Processes and the Construction of the Other in About Dry Grasses

Abstract

This study aims to examine how alienation, othering, and interpersonal communication processes are constructed in Nuri Bilge Ceylan’s About Dry Grasses (Kuru Otlar Üstüne, 2023) through the perspectives of attribution theory and semiotic analysis. While making sense of the social world, individuals do not merely generate explanations regarding the causes of behaviors; they also construct systems of meaning about themselves and others through these explanations. This process enables individuals to position those around them within specific categories and gradually construct them as “the Other.” Accordingly, the study investigates how interpersonal conflicts in the film are shaped through the causal attributions and meaning-making practices developed by the characters. The theoretical framework is based on the attribution theories of Fritz Heider, Harold Kelley, and Bernard Weiner, as well as cognitive biases such as the fundamental attribution error, self-serving bias, halo effect, and defensive attribution. In addition, the visual and discursive signs embedded in the film are analyzed through the semiotic approaches of Ferdinand de Saussure and Roland Barthes. The study adopts a qualitative research design and employs semiotic film analysis as its primary method. The findings reveal that alienation in the film is not merely a product of spatial conditions or individual psychological characteristics but is continuously reproduced through the attribution processes developed by the characters. In particular, the protagonist Samet tends to explain the behaviors of those around him through internal and negative characteristics while attributing his own failures to external circumstances. This tendency manifests itself in the form of othering, loss of trust, and emotional distancing in his relationships with Sevim, Kenan, and Nuray. Furthermore, signs such as the diary, mirror, prosthetic leg, snow, and dry grasses function as meaning-producing devices that make the characters’ experiences of alienation visible. In conclusion, the study demonstrates that alienation is a multilayered phenomenon constructed through attribution processes, cognitive biases, and semiotic practices of meaning-making within interpersonal communication.

Keywords

Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri

Abstract

Bu çalışma, Nuri Bilge Ceylan’ın Kuru Otlar Üstüne (2023) filminde yabancılaşma, ötekileştirme ve kişilerarası iletişim süreçlerinin nasıl üretildiğini atıf kuramı ve göstergebilimsel çözümleme perspektifinden incelemeyi amaçlamaktadır. İnsanlar sosyal dünyayı anlamlandırırken yalnızca davranışların nedenlerine ilişkin açıklamalar üretmemekte, aynı zamanda bu açıklamalar aracılığıyla kendileri ve başkaları hakkında anlam sistemleri kurmaktadır. Bu süreç, bireylerin çevrelerindeki kişileri belirli kategoriler içerisinde konumlandırmalarına ve zamanla “öteki” olarak inşa etmelerine zemin hazırlamaktadır. Bu doğrultuda çalışmada, filmdeki kişilerarası çatışmaların karakterlerin geliştirdikleri nedensel yüklemeler ve anlamlandırma pratikleri üzerinden nasıl şekillendiği araştırılmıştır. Araştırmanın kuramsal çerçevesi, Fritz Heider, Harold Kelley ve Bernard Weiner’in atıf kuramları ile temel atıf hatası, benlik kayırıcı yanlılık, hale etkisi ve savunmacı atıf gibi bilişsel yanlılıklara dayanmaktadır. Ayrıca Ferdinand de Saussure ve Roland Barthes’ın göstergebilimsel yaklaşımından yararlanılarak filmdeki görsel ve söylemsel göstergeler çözümlenmiştir. Araştırma nitel araştırma deseninde tasarlanmış ve göstergebilimsel film çözümlemesi yöntemi kullanılmıştır. Bulgular, filmde yabancılaşmanın yalnızca mekânsal koşullardan ya da bireysel psikolojik özelliklerden kaynaklanmadığını, karakterlerin birbirlerine yönelik geliştirdikleri atıf süreçleri aracılığıyla yeniden üretildiğini göstermektedir. Özellikle Samet karakterinin, çevresindeki bireylerin davranışlarını içsel ve olumsuz özelliklerle açıklarken kendi başarısızlıklarını dışsal koşullara yükleme eğiliminde olduğu belirlenmiştir. Ayrıca günlük, ayna, protez bacak, kar ve kuru otlar gibi göstergelerin karakterlerin yabancılaşma deneyimlerini görünür kılan anlam üretim araçları olarak işlev gördüğü saptanmıştır. Sonuç olarak çalışma, yabancılaşmanın kişilerarası iletişim süreçlerinde üretilen atıflar, bilişsel yanlılıklar ve göstergebilimsel anlamlandırma pratikleri aracılığıyla inşa edilen çok katmanlı bir olgu olduğunu ortaya koymaktadır.

Keywords

Supporting Institution

YOKTUR

Ethical Statement

ÇALIŞMA ETİK İLKELER DAHİLİNDE AKADEMİK AHLAKA UYGUN HAZILANMIŞTIR

Thanks

DERGİ KURULLARINA TEŞEKKÜR EDERİZ

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Details

Primary Language

Turkish

Subjects

Communication Studies

Journal Section

Research Article

Authors

Azra Kardelen Nazlı ^*
0000-0003-0565-1278
Türkiye

Şahin Yatkın
0009-0000-4348-7283
Türkiye

Publication Date

September 4, 2026

Submission Date

June 22, 2026

Acceptance Date

August 11, 2026

Published in Issue

Year 2026 Volume: 8 Number: 2

DOI

https://doi.org/10.54089/ecider.1976107

IZ

https://izlik.org/JA27FU89XR

Cite

RIS / Bibtex

APA

Nazlı, A. K., & Yatkın, Ş. (2026). Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri. Elektronik Cumhuriyet İletişim Dergisi, 8(2), 1-21. https://doi.org/10.54089/ecider.1976107

AMA

1.Nazlı AK, Yatkın Ş. Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri. ECIDER. 2026;8(2):1-21. doi:10.54089/ecider.1976107

Chicago

Nazlı, Azra Kardelen, and Şahin Yatkın. 2026. “Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri”. Elektronik Cumhuriyet İletişim Dergisi 8 (2): 1-21. https://doi.org/10.54089/ecider.1976107.

EndNote

Nazlı AK, Yatkın Ş (September 1, 2026) Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri. Elektronik Cumhuriyet İletişim Dergisi 8 2 1–21.

IEEE

[1]A. K. Nazlı and Ş. Yatkın, “Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri”, ECIDER, vol. 8, no. 2, pp. 1–21, Sept. 2026, doi: 10.54089/ecider.1976107.

ISNAD

Nazlı, Azra Kardelen - Yatkın, Şahin. “Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri”. Elektronik Cumhuriyet İletişim Dergisi 8/2 (September 1, 2026): 1-21. https://doi.org/10.54089/ecider.1976107.

JAMA

1.Nazlı AK, Yatkın Ş. Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri. ECIDER. 2026;8:1–21.

MLA

Nazlı, Azra Kardelen, and Şahin Yatkın. “Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri”. Elektronik Cumhuriyet İletişim Dergisi, vol. 8, no. 2, Sept. 2026, pp. 1-21, doi:10.54089/ecider.1976107.

Vancouver

1.Azra Kardelen Nazlı, Şahin Yatkın. Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri. ECIDER. 2026 Sep. 1;8(2):1-21. doi:10.54089/ecider.1976107

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Communication and Media Studies, Communication Technology and Digital Media Studies

Şükrü BALCI

Communication and Media Studies, Communication Studies, Political Communication

VÇ

Veysel ÇAKMAK

Mass Media, Public Relations

Deniz KURTYILMAZ

History of Ideas, Communication Sociology, Movie Review, Cinema Theories, Cinema and Aesthetics

Topçugül NARMAMATOVA

Communication and Media Studies

BÖ

Berceste Gülçin ÖZDEMIR

Anthropology of Gender and Sexuality, Cinema Studies, Movie Review, Filmmaking and Directing, Cinema Theories, Cinema and Aesthetics

Fevzi KASAP

Communication Studies, Photography, Creative Arts and Writing, Video Art, Art History, Cinema-Tv Production and Management

MB

Meltem BOSTANCI

Communication and Media Studies, Journalism, Migration, Political Communication, International Politics, Regional Studies, Globalisation

Nİ

Naci İSPIR

Communication Theories, Communication Sociology

Enderhan KARAKOÇ

Communication and Media Studies, Communication Studies, Social Media Studies, New Media, Communication Sociology

NE

Nüket ELPEZE ERGEÇ

Communication Studies, Mass Media, Radio-Television, Anthropology of Gender and Sexuality, Women's Studies, Cinema Sociology

ZG

Zeynep GÜLTEKIN AKÇAY

Communication and Media Studies, Communication Studies, Media Industry Studies, Radio-Television, Television Programming, Television Broadcasting, Television Sociology

Uğur YAVUZ

Information Systems Organisation and Management, Management Information Systems, Artificial Intelligence (Other)

ED

Ersin DIKER

Communication Studies, Social Media Studies, Digital Advertising, Public Relations Campaigns and Applications

GP

Gizem PARLAYANDEMIR

Transmedia, Cinema Sociology, Cinema Studies, Cinema Studies (Other)

NO

Nino OMANADZE

Agricultural Land Management

Aytekin ZEYNALOVA

Mass Media, Communications and Media Policy, International Politics, International Relations Theories

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	Çevrimiçi Bilimsel Dergi Yayıncıları Platformu (OJOP)

Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri

The Causality of Alienation: Attribution Processes and the Construction of the Other in About Dry Grasses

Abstract

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Yabancılaşmanın Nedenselliği: Kuru Otlar Üstüne Filminde Atıf Süreçleri

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